Are we aware of the scope of sound?
We are always creating, producing and emitting vibrations and that is our energetic state, everything we emit affects our senses, our subtle centers, and these vibrations can be perceived… we can perceive things by vibrations. Many times a situation is approaching and we feel the vibration from afar. A person is arriving, and we feel that vibration. This developed sense is very important when we work accompanying and helping others in a process, because we know the state of a thing by what it emits. Not because of what is happening, or what we know about the person. She emits a vibration and what she emits is what shows her status. What we emit influences our aura, influences our subtle centers and our physical-emotional and mental bodies.
Each force or vibration that moves within us produces a sound that we cannot hear with our physical ears, but with our internal ears we can perceive that movement of internal forces. So when our mind is in a positive movement, when it is seeking a contact with a higher vibration, it produces a sound within us, and our inner ear can hear, can recognize this sound, and we can perceive the work of our thought, for example. the sound that it emits internally, or our feeling and thus we become familiar with this sound. At a certain height, these sounds will not have as a parameter, or as a guide, the sounds of the earth, because the terrestrial sounds are physical sounds, they happen on the planet, they are characteristic of the planet, of its rotation.
These earth sounds evoke earth vibrations in us and in order to be in contact with other more subtle vibrations, it is necessary that we begin to produce other sounds that are not of the earth. No matter how much our conversation is quality, it will always be physical, they are physical vocal cords emitting sounds, we have to transcend these emissions and through the use of these earthly sounds, we can evoke other sounds.
So, if we sing with the physical voice, if we sing physical notes, or if we play an instrument, which are all material sounds of the earth. If we place all our intention there, all our love, in our earthly sounds, in that of the instruments, if we place this higher intention there, which is not about being alone here… another vibration begins to enter. And although this vibration cannot be modified too much by our voice, or it does not transmute those terrestrial sounds as much, (because terrestrial sounds have a limit to becoming harmonious, subtle), we can still give everything so that they are of maximum harmony. possible, of the highest possible quality. This has a lot to do with our intention and our vocal cords and instruments respond to this. When these earthly, material sounds, of songs, of instruments, of movements are emitted with the addition of our intention, they point to the maximum quality that is possible on these planes, there internal sounds begin to emerge, an internal work, a internal music, the internal voice, an internal movement, and we begin to perceive all this. And the maximum vibrational work that we can do here, on the physical level, on the external part of the planet, using those external sounds, those external vibrations, is to place in everything we do, in everything we say, in everything we sing , in everything we emit, this intention, this search to be in a higher state.
We must make this effort to be emitting something higher, the words can be the same, the singing can be the same, the music the same, but if it has this intention behind it, if there is a vibration that is beyond physics, this is going to tune this material plane more, let’s try to do as much as possible, let’s try to reach the limit of tuning, of harmony, of order, of joy, of love and this is what we are going to transmit in those material sounds. , and so, another harmony begins to happen, another voice, another music, another instrument, all this, on the most subtle planes, on the internal planes. So when we play an instrument, we are being an internal emitter, because our intention, whether with a flute, or with any musical instrument, because instruments cannot emit everything they could emit, they have a limit and so do we… so we transcend those limits by reproducing those sounds on the internal planes, on the subtle planes… (We are playing here, this is happening here, but, on the internal planes, that is being recreated).
So there is a work of sounds that is based on the sound that is made here, and when it reaches a certain limit that cannot pass here, this work is transferred, it is transferred to the internal planes and this begins to happen there. This is our role, if we are working with vibrations, we are emitting that with feeling, with our intention, with our search for perfection, all this enters into that emission, everything is part of that sound, this prints a stimulus on the instrument we are Playing gives a more powerful vibration for our voice, for our vocal cords. Powerful is not speaking loudly, it is not shouting, it is caring for the other, it is reaching out to the other to create something positive within, which comes to meet what your soul is looking for. There we are in a higher musical activity: with music, instruments, choir, singing, everything has to reach the maximum limit of our offer, our order, our precision, our love, our devotion, and thus we reach touch other worlds, other vibratory levels and those worlds respond and introduce healing, harmony of higher planes there. So, a musical activity, even if it is material, has another effect, it does another work, it is vibrating in our internal planes, it is raising our sounds, it is raising movements in our planes of consciousness, in our levels of consciousness, it is really creating harmony.
We would then have to take more care of our vibrations, our intentions: what matters is what we emit. Even though we are not specifically doing anything, we are emitting things, our aura is emitting, our etheric body is emitting. We would have to keep this in mind, because the planet needs more and more of this work of harmony. Then we would have to begin to perceive in our consciousness the value of all this, so that later this is not only limited to the moments in which we meet to sing or play. In those moments that we meet as a group to play or sing, it is so that we can perceive this vibration, so that we begin to perceive, how our state can change during the singing, or after having heard it, or participated, we have to observe this, be perceiving, but, for this, we have to be involved, not just hearing. In a work like this, if someone is singing, if someone is playing an instrument, if there is a work of sound on the physical plane, we are participating, we are receiving that vibration, we are receptive to that vibration, and we have to perceive, what is making this vibration in our system, what is happening in our system. We become in tune with that, we begin to work together with that, then, we have a choir singing there, our system enters that, our system tunes with that, and our system becomes a single vibration, they emit on the physical plane and we on the internal plane, on the subtle planes. Our subtle emission, our internal emission, begins immediately after theirs began. Starting theirs, let’s tune in to our highest level, to our own highest level, and if it is not very accessible, let’s tune in to what is coming from the voices, let’s connect to what is coming from the instruments, let’s unite, because there we rise So that is working on the physical vibration, externally and internally, in the same harmony.
We must consciously train ourselves in this, if one sings, or plays an instrument It is not for others to hear or for them to see us, or to distract them. There has to be, from the point of view of sound, from the point of view of vibration, from the evolutionary point of view, there must be a union of the work of external sound, of material sound, with what it can arouse within us, and begin to emit another sound, an internal vibration. The internal part becomes increasingly broader, more powerful, and this creates a vibrating core, creates a climate, a sound state, full of spirit, full of offering, love, intention, full of soul. Because what we sing, both the lyrics and the material music, must take us to those states of the soul, to those subtle states, to this harmony. And this remains there later. When the choir ends, the material music, when the meeting ends when everything has already developed, this continues, this continues, it does not dissolve, and what continues within each one, continues working, continues acting.
We then have a more conscious task from now on, a clearer one to carry out with sound, and thus the work of these harmony groups will not be restricted to moments of rehearsal, singing or meeting. Each meeting is a great opportunity to be elevated, stimulated, harmonized, nourished… and so each meeting will have a higher harmony. The meetings serve to maintain this sound continuity, to guarantee that this subtle inner sound, this internal harmony, never declines in the group’s work. When that begins to dissolve on the internal planes, or begins to diminish, a meeting comes to restructure that, to give a new impetus, and until the other meeting, that thing remained working. Now, what remains working, imprinted in the planetary ether, or in the astral, alive, as color, as a harmonious form in the mental, what remains in those planes, has to continue to be energized, we have to keep that strong, alive, sonorous, harmonious, and that is what is done in every meeting, be it rehearsal, singing.
But if we are thinking about distant worlds, if our consciousness is thinking about order, about the harmony of the infinite or about other worlds where there are no wars, where there are no involutive forces, if we are with consciousness on those planes, in those worlds, This work is perennial, this work is maintained, this sound remains and thus they begin to attract more and more vibrations from other worlds and other higher planes.
So when you ask what we can do in the face of the increasingly urgent events on the surface of the earth… what is our role… In front of sound, we have a role, as in front of a color, in front of the shapes that we emit, in front of everything, in front of life, but, with these instruments that we have such as mantras, music, choirs, musical instruments, with all these keys that we have in our hands, we have to be in front of these physical manifestations, be as connected as possible, with our deepest levels. internal, more subtle, with our inner movements so that this does not dissolve, so that it remains, so that the work done goes beyond what is done in a room, in a place or for a group, so that the energy of the For the work to remain in space, to become part of other positive sound waves that will be created by other individuals in other places as well, we must invoke in ourselves thoughts, movements, voices, feelings and actions, always with our highest intention.
There is a sound brotherhood, there is a union between beings, who produce sounds of the same vibration, of similar value, sounds connected with the force of evolution, who work with sound for evolution. There is a brotherhood in this. And we cannot know what this brotherhood can create or to what extent it can serve, we do not know where this elevated brotherhood of sound can reach, summoned, called, by attraction towards where the planetary need is, but we must be aware that this set of sounds that we are emitting, is there doing something, harmonizing the internal planes, the subtle planes…
Let us then offer ourselves to that brotherhood of sound and let the vibrational waves be conducted where they are necessary and where they can do their best. This should be our offering at this time. It is enough that we do it with complete awareness and that it goes where it can be useful. And there we will leave the sound freed from any human and mental conditioning. We deliver this, for the entire brotherhood of sounds of which the birds, the wind, and so many other external and internal sounds are part. The role of the groups of harmony, the role of Choral, of the group of Mantras, forms a single group and are at the service of harmony. The role of these groups is to do this work, to evoke this higher vibration through singing, through sounds, through music. And when these groups meet and when we are integrated into those groups, our offerings are gathered, they are added, and this has much more strength.
The sound emitted is always accompanied by a force that descends from above, therefore it brings forces from the higher consciousness when it is represented by our positive intention and descends increasingly to the dense planes. When this force descends, it brings stillness, it brings peace that we recognize later. We may not be hearing these forces, we may not be hearing this in the form of sound, but we receive it in the form of peace, of stillness. The peace and stillness that happens when this descends is the signal for those who are not sensitive, for those who cannot hear a sign, or who cannot sensibly be seeing these signals, but as peace and stillness, this descends for everyone. . So the moment we start to feel this peace, this stillness, we would have to stick to it and not let it go.
At first this force descends and remains with us for a short time, for a few moments, but if we continue with this evocation, if we continue with this alignment, if our internal sounds, if our internal ear continues to call this, this peace and this stillness It is becoming established, more and more in us. And when this happens, we have a more permanent, more stable contact with this superior harmony, with this superior calm, with this superior peace.
This peace and harmony, as they become established, form part of our consciousness.
When this happens, our consciousness no longer oscillates as much, it is not distracted, even if it is focused on various things that attract it, this peace and this stillness remain. And even if we have to have a gesture, an act, a more abrupt, stronger, more powerful movement, in those moments that peace and that stillness do not dissolve, they do not move away, we can be acting at all times but the peace, the stillness , tranquility and harmony is included there, present. This force that descends as peace and stillness, this consciousness that descends, enters us etherically and physically as well, it does not remain only on abstract levels, it penetrates our physical etheric mechanism, it enters our life, it enters through the head, on our part. high and permeates the entire body, opens, stimulates, all our small energy centers, so we can perceive if this force or if this sound entered us, because our entire body is stimulated, everything enters this peace, everything enters this stillness , no area of the body is left outside. Our head is considered a sacred gateway for these energies to descend into us and notice that sound helps this. There are sounds emitted by certain instruments or by certain voices, which open this upper part, descend there and allow us to perceive everything that happens in our body. There are sounds that help us. So see what work we have with the sound. To work with this, considering the head as a door of entry, we also consider our spine, the bases of our centers, other doors of entry and circulation of these things. If we take into account the spine, and the bases of our centers, we change the way we walk, the way we sit, our posture changes, because this energy enters and does not only penetrate the physical, keeping us upright, straight, harmonious, vertical, to above, but it also does it with our being, with our consciousness, with our way of being, with our character, with all our things.
The descent of this energy brings joy to our cells. Joy is not only something that we feel with feeling with our consciousness, our cells also feel joy, they participate in this joy, and the joy of the cells is to receive this force, it is to receive this, because there the cell recognizes itself, it identifies itself. with this luminous energy, with our own light.
Then the sounds unite with the sounds of the planet and there our work, our emission, our vibration has the capacity to go to distant points on the planet even in the physical sense. So we are going to have these material sounds, we are going to welcome these material sounds with a greater knowledge of what this produces, we are going to let this penetrate us, we are going to keep all this present so that this sound does a greater job, so that this can penetrate us more and so that we can be more harmonious, so that we can be more sonorous, firm in the direction of harmony, peace, serenity, in short, of all this that is missing on the planet.
Today we are facing this awakening of sounds, facing a new consciousness, within a planetary service, so when we begin to work with sound, when sound begins to be created, when it begins to materialize, we must begin to become aware. of the internal movements we make, of what we emit, of what happens and pay more attention to how we are emitting the sound… Individual or group work with sound is very important, to locate ourselves, focus, direct our will, our energy. , our aspiration, our dedication to detachment from everything personal, and trying to ensure that all of us who form small groups of harmony around the world are part of a larger group, within a larger movement, where the redemption of our planet is possible , where this evolution is possible with happiness, health and harmony.
